Wednesday 17 December 2014

17|12|14 - Directing Unit - "DNA - Week 10"

Meeting

For this rehearsal no matter who turns up we want to do a full run through, with the rest of the cast watching when they are not in. This means they can see their queues for entrances and how the energy needs to contrast with the end of the scene previous to pick up the pace. We are also saying that it has to be script down, we will allow them to look at scripts when off stage, and we will prompt them. We know that in the future rehearsal we will do a full run where we treat it as if we have an audience, there will be no prompt and we will see how they deal with it. But this will be the first time without scripts, so we feel allowing prompting will be helpful. 

Rehearsal

Again, the only people unable to make it were India and Freya, so again me and Alex stood in for those. We decided to skip past the Lea and Phil scenes as it would be unproductive to continue with those. 

We finished the blocking of scene 5, we wanted to show the end result due to the chaos and question how much it takes to change a person. It is throughout the play that each individual goes through a struggle and become a different person. 

This is shown in Rachel's monologue where she explains what everyone has become. Rachel has changed person, this is due to Phil's presence & since Lea has left, Rachel now feel's he is able to pursue Phil. We see a softer side of her due to this as she attempts to connect with Phil. We see that Phil has truly realised what he had too late when Lea leaves, this is shown through the placement of a starburst on Lea's seat. 

Taking into consideration the transformation from violence to passive within Rachel, we see the opposite take place within Cathy. We previously see her as quite niave, self obsessed, at the end we see her violent streak grow and her become a more authoritative figure. So it was key throughout the end of scene 5 to show Cathy's new status by her directing threats towards Brian, and it is her that now babysits Brian instead of Rachel. 

Brian's character is shown to have finally hit the rock bottom of his mental state, becoming highly dysfunctional is shown through his lines already, we wanted to reflect this in his personality, his mood being able to flip through the simple production of a sweet, and then being returned to a hysterical mess when told he must go into the police station.  

I want scene 5 to really encase the change that has happened to the group due to the chaos. I feel like Phil' character is the only person who notices this, due to his analytical traits, meaning he knows who he can depend on. Lea also hasn't necessarily changed, the thing that happens with Lea, is that she loses hope. The joke of leaving becomes a reality, her morals can be seen as more than her affections towards Phil.

1|10|14   - Week 1 - introduction - quick fire workshop
8|10|14   - Week 2 - workshop - read through - look at script
15|10|14 - Week 3 - work on script sections
20|10|14 - Week 4 - work on script sections
5|11|14   - Week 5 - work on script - fully blocked (group scenes)
12|11|14 - Week 6 - duologue blocking 
26|11|14 - Week 7 - duologue blocking
3|12|14   - Week 8 - develop duologues, revisit group scenes
10|12|14 - Week 9script down - develop tone and body language
17|11|14 - Week 10script down - tidy
14|1|15 - Week 11 - script down, full run through, dress?
21|1|15 - Week 12 - dress & tech rehearsal, no script/prompt. two run throughs?


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